Somebody must have sat down with Niz Z and mapped out all the articulations and created a drum map for him, that was used in all subsequent sessions. My reasoning behind this, is Toontrack must have used the best drum brain at their disposal (TD-20) at the time of Superior’s creation and the best Hi-Hat Controller available at the time (VH-12) to create at least the midi files Nir Z made.
I mean one would think this subject would have been thoroughly thought out, with posted step by step instructions. I’ve read all there is on this subject in this Forum, and it’s only lead to more confusion and frustration.
My goal is to successfully map and trigger Superior using a Roland TD-20 and VH-12 Hi-Hat inside my DAW of choice. It's easier than adjusting the velocity in each note.Gentlemen I’m new to this Forum, and like everyone else I’m here searching for answers. I do my programming with a mouse, so I've added rows that have the same instruments at 60% or 120% velocity (for example).
They're not complicated, and can really help with your workflow. There's a tutorial somewhere on using Drum Maps. And drag/drop the rows to put them in a better order. You can also change the names if you want, to something that translates better. Then change the Out # in the Drum Map to match the AD IN number notes. It mostly involves opening up AD and confirming the Drum Map In for each kit piece (and their various different hits). Open a Toontrack MIDI clip, with the Toontrack Drum Map. I'm not at my DAW, so this may have the wrong terminology, but the process should help. I still use the native drum synth when looking for the right loop, but then can drag it into the alternate MIDI map to have it play properly in the other synth (AD midi in SD, or SD midi in AD).
I've done it for my go-to SD kit, and also to use my SD MIDI files in AD. You'll need to do this as they use different mappings for the kit pieces. It's not hard to create a drum map to use Toontrack MIDI files in AD (or vice versa).
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